Next, in this “3X5 Art Challenge” on Facebook, I post my favorites. See the first post in this blog series here. These were my first experiments with watercolor, and although I’ll never be a purist (I throw in whatever I need to, after the watery beginnings), working with this medium has changed the way I make art forever.
After a long period of intense study and contemplation (grad school), my brain was buzzing with the work that never could quite surface with all the scrutiny and pressure of content critiques. After graduating, I brought all the art supplies I had gathered in my Parsons studio home. My school studio had a huge picture window, right next to Union Square in the heart of Manhattan. My tiny studio apartment was in Greenpoint, Brooklyn and had a view of the apartment across the street. I sat in my little living room/dining room with two tv trays pulled up next to the couch and grabbed whatever I needed from the moving boxes, barely even thinking about it, while watching The Skeleton Key on repeat. I don’t know why The Skeleton Key. Comfort movies surface in weird ways, and after grad school, I needed comfort.
I brought my tools together and worked quickly and intuitively, with much angst and gusto! This series of four, inspired by the famous nursery rhyme, was the result, in graphite, charcoal, ink, marker, pastel, oil pastel, watercolor, gouache, and acrylic paint, and whatever else came to hand, on leftover paper. With a head full of art theory, I said I was exploring our legends, fables, and mysteries as a society, and examining the way we understand cultural archetypes and our personal roles, in reference.
But really, they were just super fun to make!
Buy a print here: http://bit.ly/1zKnnCq